How Music Effected Civil Rights

He was perhaps one of the most famous Jazz musicians and composers of all time. His name was Duke Elongating. He was a very clean musician, well spoken, and very well educated. He was already big into the Jazz industry by the early age of 17. By the time he was in his early ass, he was at the peak of his creativity in composing, and the peak Of his career. During this time he became the first African American to set foot in Carnegie Hall. It took a lot of bargaining but he arranged a deal to play a concert there.

Undoubtedly, Elongating made ample amounts of money for Carnegie. This event is quite often looked at as the start of the Civil Rights Movement. For the first time, a black man was allowed to play his music in a predominantly white arena. As a result of this, many White people became turned on to the Jazz age. This started the integration of society because for the first time, people found something to connect them with another race. This special bond between the races was music (Cheetahs). Musicians were not the only ones who used the Jazz Age as a chance to equal the races.

Journalists also played a part in the movement, such as James A. “Billboard” Jackson of Billboard. Jackson was renowned for voicing his opinion that Jazz and Blues artists were deserving of cultural elevation and wider success. He often used his column to report occurrences of racism in he music industry, and pushed for African American success in this industry across the nation (McRae). “The sound of America is sweeter, more soulful, and more sorrowful because of Black Artists,” says Michael Eric Tyson, a reporter for Ebony magazine.

Although Jazz had a huge impact on society, it is not the only type of African American music that influenced America’s culture. Jazz was the beginning for all types of music to come after it, including everything from Bebop, to Rock and Roll, to Rhythm and Blues, and even Rap. Rock and Roll began in the mid sass and is still popular music today. Without Chuck Berry’s 1955 Denumerable’ and Little Richards њTutu Fruit’ the same year, all that came after them, including Elvis, makes no sense” (Tyson). At that time, some of the white population was still leery of what they called “race music. However, when Elvis Presley came into the picture, as well as many Other white cover artists, the white community became very interested in what African American music had to offer. Although White artists like Elvis were taking the Black artist’s music and singing it as their own, some black artists like Little Richard were not at all offended. By doing his, Presley and other artists alike made songs that were written and recorded by Black singers and songwriters available to a whole new group of individuals (Cheetahs). Rock and Roll was a major turning point in the fight for the Civil Rights Movement.

This so-called “race music” was unacceptable, as far as many white adults were concerned. However, the southern, white, teenagers in society, who were beginning to cross the racial lines that had been drawn, embraced the music. That makes it seem no accident that in 1954-1955, during a time when laws supporting a segregated society were beginning to e destructed, young white audiences across America were welcoming the “race music” with open arms. “By accepting Rock and Roll with enthusiasm, white teenagers endorsed a sensibility shaped by black Americans.

The rise of Rock and Roll turned the cultural identity of American youth in an interracial direction. The tide that carried Rock and Rollers to fame Was grounded in a process Of social change that reached far beyond music” (Crawford 735). The development of Rock and Roll brought about Mouton in 1959. More than ever, black music enthralled the white listeners. Mouton was the home of a few of pop music’s most recognized voices. Marvin Gay and Steve Wonder were widely listened to by both races. “[Both of their] politics and pleads for change [in society] were rooted in lover” says Tyson.

Two other Mouton singers, Sam Cooke and Retreat Franklin, both emerged from their base in the church (Tyson). Gospel music originated from African American hymns, and had a beat that was hard to dislike, even to a person who had no rhythm whatsoever. Retreat Franklin told people that her vocal style was heavily influenced by her father’s preaching techniques. Franklins performances used to turn concert halls into celebrations that resembled African American worship services, and audiences absolutely loved it (Reagan 29). People would become involved in a kind of spiritual thing with her Calla kinds [of people]: dudes, sisters in Faros, and those in blonde wiggeries men like 50 and 60 years old would run down to the stage and try to touch her” (Reagan 28). Gospel music influenced many other singers as well, like Little Richard, James Brown, and Big Mama Thornton (Reagan 29). Ray Charles was another well-known musician who was very much rooted in the traditions of gospel music. One of his popular songs, “This Little Girl of Mine,” was actually oaken from the old Gospel hymn, “This Little Light of Mine. Charles, along with a few other artists, created a new style of music using the vocal style of gospel. The new popular variety was called “Soul Music. ” The energy of Soul captivated its audiences. It was so powerful that it began to overflow into all of the African American communities, and spilled over into the rest of America. James Brown played a major role in this growing trend. In 1 969, he became the first Black man in Cash Box, a magazine that was a weekly coin-machine and music-industry publication, to be named as a male vocalist on single pop records.

He was cited as this for his Clop’ mean sales to the whole record- buying community, not just the Negro Rhythm and Blues Market. ‘ This was a major breakthrough. To be recognized for such an accomplishment was a strong movement in the right direction toward marketing music to all types of people, not just one race or the other. “Brown’s influence was so great that many white singers, including the Righteous Brothers, Joe Cocker, Tom Jones, and Elvis Presley imitated his style, giving rise to the concept of њblue-eyed soul singers. “‘ James Brown and Retreat Franklin were proclaimed the Godfather and Queen of Soul.

They made Gospel music and its delivery style an irreplaceable genre in American popular music (Reagan 31). “[Many Black figures in America] have transformed our society through their love affair with excellence. Without their contributions, the U. S. Would not look the Same, sound the same, or struggle in the same way to fulfill its promise of opportunity and justice for all” (Tyson). Music is still effecting racial integration today. It is the one thing that ties all different communities together. Even though black artists dominate Hip-Hop and Rap, it is widely listened to by people of all different races.

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